We are having a rotten, rainy summer down here in Bavaria. I think all that volcanic ash has floated down and hit the brick wall of the Alps and is now blocking out the sun. I don’t imagine Iceland has as much money as BP but it would be nice if they could find a way to suck all this dust back up their way. A project for your school’s science class.
Once in a while the sun does peep through and then the beer gardens are filled and the charming streets of Munich are packed with tables and chairs as the cafe culture blooms. On one of these rare nice days an open-air concert was staged featuring two names who I have always proudly displayed in my various biogs, Steve Winwood and Eric Clapton.
My association with Eric was not very long, being limited to my recording session with him for Elektra under the band name of ECs Powerhouse in 1965 I think. He would often turn up at gigs we played in London and sit in (jam) with us because we all loved the same music and he enjoyed Steve’s great talents as a partner on organ or guitar, even in those early days. I think I was asked for that session because Ginger Baker couldn’t make it. I think he might have been recovering from the cosmetic surgery necessary to turn him into Phil Seaman.
My several years with Steve in the Spencer Davis Group shaped the rest of my life and we have met occasionally in the intervening 40 odd years. I had called him several weeks before this open-air in Munich in the hope that we could meet once again.
Tha day dawned sunny and stayed that way. Mecky and I found a good parking place, a small triumph in itself, and picked up our tickets and VIP passes. Steve’s right-hand, James, sent us an SMS that Steve would like us to come to the backstage. It was still an hour and a half to show-time. As is often the case on these kind of gigs, the dressing rooms were in containers grouped around a central catering area for musicians and crew. There were a few crew members hanging around but no sign of any artists. James met us and took us into Steve’s “room”.
As always when one meets up with old pals, the years disappear and conversations resume. We caught up on stories and news about all our mutual friends and Steve proudly told me that his son was already drumming in a big band. This will give him invaluable experience and I said I would try to get hold of some arrangements for them. It was a delightful chat but I know how valuable a bit of peace and quiet before the concert is so left him to find our seats in the vast area of the Königsplatz. I hadn’t seen a hair nor plectrum from Eric or heard the patter of a practice pad from Steve Gadd’s room so I guess they were asleep.
We soon met up with Holm Dressler, his wife Jutta and her sister. Holm will direct the Beatles TV show, news of which you will find elsewhere in the website. By now there were around 14.000 people gathered and the beer and wine stands doing a roaring trade.
The show was really enjoyable, lots of oldies, hits and great soloing from Steve, Eric and Chris Stainton. Steve’s voice is astonishingly good and his organ playing made me think back to the jamming we would do before the shows back in the Sixties. For the flavour of these go back to those instrumental B sides on the singles. They were all cut in about twenty minutes each.
How was it for me to listen to these two giants of our music as a member of the crowd? A lot of nostalgia certainly, a touch of sadness that I probably won’t ever get to play for such a huge audience again in this life, but also a great warmth that I have been a part of this British blues/rock story. And I also felt confident that my approach to playing Gimme Some Lovin’ was at least as good as Steve Gadd’s. You can check for yourselves in Lahnstein in September.